2016 MacNeil MEDALLION ~ Available NOW on eBay

WELCOME to the “Hermon A. MacNeil” — Virtual Gallery & Museum !

~ This Gallery celebrates Hermon Atkins MacNeil, American sculptor of the Beaux Arts School. MacNeil led a generation of sculptors in capturing many fading Native American images and American history in the realism of this classic style. World's Fairs, statues, public monuments, coins, and buildings across to country. [Hot-links (on the lower right) lead to photos and info about these works by MacNeil. ]

~ 2015 marks the 150th Anniversary of Hermon MacNeil's birth on February 27, 1866.

<== 2016 MacNeil 3" MEDAL ~ 100th & 150th Anniversary Commemorative

This MacNeil Medallion is a 3" bronze medal with nickel plating minted in 2016 to commemorate the 150th Anniversary of the birth of Hermon Atkins MacNeil and the 100th Centenary year of the first minting of the Standing Liberty Quarter dollar. The face duplicates the obverse of MacNeil's original sculpture of Miss Liberty from 1916. The "M" beneath the 13th star is the only form of signature allowed for the sculptor. <== NOW AVAILABLE ON EBAY the Hermon A. MacNeil Medallion

Archive for August, 2010

On a rainy day recently I visited MacNeil’s Pony Express statue in Saint Joseph, Missouri. I took numerous photos. After posting about a half a dozen, I realized that I omitted one rather light-hearted composition from that drizzly photo session.  It shows the horse and rider as an over-sized hood ornament on my 1939 LaSalle sedan.

“Lass,” the Webmasters 1939 LaSalle sizes up the 1940 MacNeil Pony Express Statue as possible hood ornament upgrade. Both metal art pieces are in their seventies.

NOTE: No ponies, Express Riders or LaSalles were injured in the making of this picture.  No disrespect for the City of St. Joe, the Pony Express, the people of Missouri, the Cadillac Motor Division of General Motors (manufacturer of LaSalle automobiles from 1923 to 1940), or any other persons (living or deceased) is intended in the making of this picture.  It was just a twitch of the finger  that seemed a good idea at the time (just as posting it on a Wednesday evening at 10PM right now feels like the right thing to do! )

Ninety-four years after its first minting, the MacNeil “Standing Liberty quarter” retains a strong following among coin collectors.  Tom LaMarre of Coins Magazine calls it MacNeil’s “real masterpiece.”

That says a lot coming from a coin expert like LaMarre. In a fascinating article at NumisMaster.com, he offers the usual numismatic history of the SLQ mixed with new information and delightful humor.  The author has studied enough about MacNeil to mention about a dozen of his other works in the article including, “Sun Vow”, “Pony Express”, and “Ezra  Cornell.” So, the “real masterpiece” compliment seems more than just another ‘two-bit’ comment.  Some of LaMarre’s words which laud MacNeil’s Standing Liberty quarter include:

“Rich in symbolism and finely engraved detail, the new quarter reflected the spirit of peace and preparedness just before the United States entered World War I. It also revived a classical style in sharp contrast to the abstract and modern trends that were sweeping the art world at that time.”

Hermon Atkins MacNeil 1916

MacNeil's "Real Masterpiece" the Standing Liberty quarter design was one of the first US Coins created by an sculptor.

LaMarre gives a thorough history of the design development, the changes, the controversies and the over-involvement of the Director of the Mint.  A previous post on this website describes Jay H. Cline’s research book on the Standing Liberty Quarter includes nearly forty pages of letters between MacNeil and the Mint. LaMarre, finds this humorous  quote on the over-involvement Mr Woolley in MacNeil’s project:

Mint Director Robert W. Woolley was so involved overseeing the preparation of the quarter design at the Mint that the Gettysburg Times predicted it would be known as the “Woolley quarter” or simply the “Woolley.”

Jay Cline's 4th Ed. of Liberty Quarters has excellent information on Hermon MacNeil and this artwork piece minted from 1916- 33

The article offers some details of MacNeil history not seen before.   He gives a discussion of the two women who served as models for the MacNeil’s art, namely Doris Doscher and Irene MacDowell. I had not known that Doris Doscher went public with her role in the SLQ on the TV show “I’ve Got A Secret” (or click HERE for second link).

Coin Collectors, especially SLQ fans and MacNeil enthusiasts alike, will enjoy Tom LaMarre’s article “MacNeil’s Standing Liberty Remains a Favorite.” It summarizes the importance of this art piece for collectors, it’s fascinating history, and MacNeil’s persistent creativity in developing the SLQ.  LaMarre states:

The Standing Liberty quarter had a sculptural quality that set it apart from all previous quarter dollars. The Numismatist described it as “strikingly beautiful.” The New York Times called it a “silvern beauty.”

Coin collectors looking for more can graduate to Jay Cline’s book on Liberty Quarters.  Cline’s book devotes Chapter 5 to telling the story of the two models that posed.

Either way the coin provides in interesting study in history, art and human nature.  Treasury officials, namely Secretary William MacAdoo, had concerns about MacNeil’s delicate engraving not wearing as well in circulation as less artistic coin images of the past.  But numismatists fine the delicate piece simply a treasure. Again LaMarre offers a good twist:

According to the Treasury secretary, it was a “fast-wearing” design that never quite worked out. In the opinion of collectors, it is a masterpiece that will stand in beauty forever.

A photograph of the Confederate Defenders of Charleston sculpture autographed by Hermon A. MacNeil has been purchased from the on-line inventory of Steven L. Roskins, a dealer in historic autographs in Venice, Florida. The statue, dedicated on October 20, 1932 is Located in the White Point Gardens overlooking Charleston Harbor. The statue faces toward the Ft Sumter National Park located at the mouth of Charleston Harbor about 3 1/2 miles east southeast of the MacNeil statue and White Point Gardens.  The Fort was the  site of the opening battle of the American Civil War on April 12-13, 1861.

Signed Photograph, “To Charles C. Curran – The Wise War Horse in Art. H.A. MacNeil, S.C.” 7 ½” x 10”,

The photograph is inscribed to noted American artist Charles C. Curran. He and MacNeil were Jurors in numerous art expositions through the years. Acclaimed as an painter, Curran is saluted here by MacNeil with this visual image of his own Confederate Memorial sculpture.

The photo appears to be taken in a studio (probably MacNeil’s in College Point on Long Island, New York). The backdrop is a draping. The little sentry soldier propped up at the base left seems a curious addition.  Perhaps, it has some special meaning between MacNeil and Curran.  We do not know.  We do know that the little sleeping sentry is not part of the monument after installation in Charleston. The transport of the entire bronze piece and marble base to Charleston, SC and its subsequent installation White Point Gardens represents a monumental task as well. (See Google Map link below)

The autographed inscription at the photo bottom reads, “To Charles C. Curran – The Wise War Horse in Art. ~ H.A. MacNeil, S.C.” The photo reverse (not shown) bears MacNeil’s further handwritten notation and second signature, “Study. Defensive Monument, Sumter Park, Charleston, S.C. H.A. MacNeil, S.C. 1931.” At the center of the back is a stamped mark, “The Capitol Photo Studios, 617 – 2nd Avenue, College Point, L[ong] I[sland].”

For another unusual photo of the Statue installed at in South Carolina go to Confederate Defenders Statue – Battery Park

Visit this Sculpture by Hermon A. MacNeil

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In the heart of downtown Saint Joseph, Missouri the “Pony Express Rides Again.”

The Pony Express - Saint Joe, Mo

Hermon A. MacNeil’s massive 1940 Sculpture has been heading ‘west’ out of town since its installation at the origin of historic Pony Express trail across Missouri, Nebraska, Colorado, Wyoming, Utah, Nevada, to California.

St Joe Missouri to Sacramento California in only 10 days

Visit this Sculpture by Hermon A. MacNeil

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SuprCtEastPedMosesConfSolonHeader

CONFUCIUS ~ MOSES ~ SOLON center on MacNeil’s East Pediment

The East Pediment of the Supreme Court of the United States designed and sculpted by Hermon A. MacNeil contains the likenesses of three Lawgivers from the history of  civilization: Moses, Confucius, and Solon. According to the Office of the Curator in a public INFORMATION SHEET:

“Visitors often miss the East Pediment of the Supreme Court Building because it is located at the rear of the building. This sculptural group was designed by Hermon A. MacNeil (1866 – 1947), an artist who studied under the masters of classical architecture and design. Cass Gilbert (1867 – 1934), the building’s architect, worked closely with MacNeil from 1932 to 1934 to create the thirteen symmetrically balanced allegorical figures. MacNeil submitted the following description of his work to the Supreme Court Building Commission:”

“Law as an element of civilization was normally and naturally derived or inherited in this country from former civilizations. The “Eastern Pediment” of the Supreme Court Building suggests therefore the treatment of such fundamental laws and precepts as are derived from the East.

  • Moses, Confucius and Solon are chosen as representing three great civilizations and form the central group of this Pediment.
  • Flanking this central group – left – is the symbolical figure bearing the means of enforcing the law. On the right a group tempering justice with mercy, allegorically treated. The “Youth” is brought into both these groups to suggest the “Carrying on” of civilization through the knowledge imbibed of right and wrong.

The next two figures with shields;

  • Left – The settlement of disputes between states through enlightened judgment.
  • Right – Maritime and other large functions of the Supreme Court in protection of the United States.

The last figures:

May 16, 1932 Note regarding the East Pediment Inscription The text, in the hand of Charles Evans Hughes, reads, I rather prefer “Justice the Guardian of Liberty”

The inscription on the East Pediment – Justice the Guardian of Liberty – is one of the few decisions regarding the architecture of the building that was made directly by one of the Justices. On May 2,1932, David Lynn, the Architect of the Capitol, sent Chief Justice Charles Evans Hughes a letter with Cass Gilbert’s suggestions for the East and West Pediment inscriptions. The Chief Justice agreed with the suggested inscription for the West Pediment, Equal Justice Under Law, but did not like the one proposed for the East Pediment, Equal Justice is the Foundation of Liberty. Chief Justice Hughes sent a note (below) with a suggestion for a different inscription to Justice Willis Van Devanter, the only Justice beside Hughes and his predecessor, Chief Justice William Howard Taft, to serve on the Supreme Court Building Commission. Justice Van Devanter responded with a succinct reply: “Good (W.V.)” A few days later, the Chief Justice formally answered Lynn’s request by providing the alternate inscription, stating simply “We think that the inscription for the East Portico can be improved.”

The May 16, 1932 Note regarding the East Pediment Inscription written in the hand of Charles Evans Hughes, reads, I rather prefer “Justice the Guardian of Liberty”

The East Pediment by Hermon A. MacNeil – Office of the Curator • Supreme Court of the United States

Source: Office of the Curator, Supreme Court of the United States – Updated: 5/22/2003

For additional critical discussion on the Supreme Court Building sculptures related to Moses as a law giver see:

http://www.snopes.com/politics/religion/capital.asp

Visit the HA MacNeil‘s “Justice The Guardian of Liberty” at the East Pediment of the Supreme Court Building in Washington, D.C. [mappress]

On a recent trip to Saint Louis, Missouri to visit family, I was met by not by “Louis” but by “Hermon”

For the last 106 years (since the Worlds Fair inspired the song “Meet Me in St. Louis, Louis”) a sculpture by Hermon A. MacNeil has been quietly greeting visitors at the front door of the St Louis Art Museum. The piece resides high above the center doors at the main entrance of the building.

"ARS ARTIUM OMNIUM" is a MacNeil creation for the 1904 St Louis Worlds Fair

Saint Louis Art Museum main entrance. The MacNeil sculpture rests above the center doors recessed between the center columns.

The building itself represents one of MacNeil’s first collaborations of with renowned architect, Cass Gilbert.  His last project with Cass Gilbert was the US Supreme Court Building in 1933.

The Cass Gibert Society website offers images of his lifetime of architectural achievements.

The Saint Louis World’s Fair of 1904 was formally known as the Louisiana Purchase Exposition.   It was an international exposition commemorating the Louisiana purchase of 1803.  It was delayed from a planned opening in 1903 to 1904 to allow for the full-scale participation by more states and foreign countries. The song, “Meet Me in St. Louis, Louis” was inspired by the 1904 St. Louis Worlds Fair.

The Palace of Fine Art, designed by architect Cass Gilbert, featured a grand interior sculpture court based on the Roman Baths of Caracalla. Standing at the top of Art Hill, it now serves as the home of the Saint Louis Art Museum.  … Gilbert was also responsible for … (Saint Louis Public Library), state capitol buildings (the Minnesota, Arkansas and West Virginia State Capitols, for example) as well as public architectural icons like the United States Supreme Court building. His public buildings in the Beaux Arts style reflect the optimistic American sense that the nation was heir to Greek democracy, (Wikipedia).

The MacNeil work was a part of that “Palace of Fine Art” and his abilities in the Beaux Arts style seemed to seal his collaborative link to many projects grown from Cass Gilbert’s genius.  The inscription “ARS ARTIUM OMNIUM” translates literally from the Latin as “the Art of all Arts.”

Above the columns of the Saint Louis Art Museum are inscribed the words, “DEDICATED TO ART AND FREE TO ALL – MDCDIII.”  That Free to All spirit remains today in that admission is free through a subsidy from the ZMD.

A New York Times article offers editorial on “free art” http://www.nytimes.com/2006/07/22/arts/design/22admi.html?_r=1

The SLAM is one of the principal U.S. art museums, visited by up to a half million people every year.  MacNeil’s art is among some of the first to silently greet them.

The Art Museum at Forest Park in Saint. Louis, Missouri at night. on 27 September 2008. (credit: Kitz000 - Matt Kitces at Wikipedia Commons ) http://en.wikipedia.org/wiki/File:StLouisArtMuseum.jpg

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WHAT YOU FIND HERE.

Nearby or far away, there is no ONE place to go and appreciate this wide range of art pieces. Located in cities from east to west coast, found indoors and out, public and hidden, these creations point us toward the history and values in which our lives as Americans have taken root.

Webmaster: Daniel Neil Leininger ~ [email protected]
Hosting & Tech Support: Leiturgia Communications, Inc.
COME BACK & WATCH US GROW

Take a Virtual Journey

This website seeks to transport you through miles and years with a few quick clicks of a mouse or keyboard or finger swipes on an iPad.

Perhaps you walk or drive by one of MacNeil's many sculptures daily. Here you can gain awareness of this artist and his works.

For over one hundred years his sculptures have graced our parks, boulevards, and parkways; buildings, memorials, and gardens; campuses, capitols, and civic centers; museums, coinage, and private collections.

Maybe there are some near you!

PHOTOS WANTED: Be a WEBSITE contributor

WE DESIRE YOUR DIGITAL PHOTOS of MacNeil's work! Here's some photo suggestions:
1. Take digital photos of the entire work from several angles, including the surroundings.
2. Take close up photos of details that capture your imagination.
3. Look for MacNeil's signature, often on bronze works. Photograph it too! See examples above.
4. Please, include a photo of yourself and/or those with you standing beside the work.
5. Add your comments or a blog of your adventure. It adds personal interest for viewers.
6. Send photos to [email protected] Contact me there with any questions. ~~ Webmaster